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Is that beans example a real thing? If so, I would hate for my kids to be subjected to that. The best thing about watching films from another country is that you're exposed to the culture of that foreign place and learn about how it's different from yours - I don't see why we'd try to localize away the human experience as if these differences don't exist.

the_af
Same. I don't understand why people want (them and their kids) to be isolated from other cultures. If you're watching a movie set in Japan, India or China, have it be about their culture. If there's something you or your kids don't understand, make an effort to learn about it (and the green peas thing seems trivial to understand).

Netflix also does something absurd with their subtitles. I was watching "The Empress" (which is set in the Austro-Hungarian Empire) with German language and English subtitles. I like listening to the real actors' voices, and learning the sounds and cadence of the language. So the characters speak in Italian for a while (subtitles say "[speaking in Italian]", and when they switch back to German the subtitles clarify.. "[in English]". The fuck, Netflix? Surely the viewer of this show understands they didn't speak in English in the Austro-Hungarian empire, so why write it's English? What the hell is Netflix even trying to achieve here? Seems robotic: "us = English speakers, therefore everyone's default must be English"?

abrugsch
Just saying "Pixar movies" was probably not a great example. They can be deliberately location ambiguous (Monsters Inc., Toy Story - though it's clearly _somewhere_ in America, The Incredibles - a generic "metropolis"/50's futuristic city, lightyear, Elemental) or very specifically somewhere (cars - mashup of Route 66 towns, Finding Nemo - Sydney when on land, Ratatouille - Paris, etc...)

It makes sense to "translate" locale cultural indicators in say Wall·E which was very location agnostic but not so much for say Turning red which is very culturally specific.

the_af
Good point.

The localization of The Incredibles in Argentina was embarrassing, though someone must have thought it was a good idea. They used local voice actors popular at the time (though not so much today) with strong porteño (Buenos Aires') accents. They also referred to the streets with Argentinian names, e.g. "let's turn that corner of Corrientes Avenue!". The problem is that Corrientes Av is very typical of Buenos Aires, but nothing on screen looked anywhere close to it, so the whole thing was ridiculous and embarrassing, sort of like if the characters pretended they were in Tokyo and were Japanese.

What if they had gone the extra mile (maybe possible in the near future) and reskinned every character to look more Argentinian, and rethemed the city to look more like Buenos Aires, would I have been happier? Certainly not -- I want to see the original movie as intended, not some sanitized version designed to make me feel "at home" and not challenge me in the slightest.

(I watched the movie in English as well, mind you).

falcor84 OP
Could that Netflix subtitle thing have been a one-off error? I don't think I've ever encountered such a mismatch before.

It did remind me of watching "The Beast" (La Bête)[0] in the original French with subtitles and I was then surprised when I saw the subtitles say "[In English]" and I was, "Oh, damn, the characters did actually switch to English".

[0] https://en.wikipedia.org/wiki/The_Beast_(2023_film)

the_af
It's consistent through The Empress, I just gave an example. But maybe it's a decision specifically for this show?

For example, when Elisabeth is practicing several languages, each is subtitled "[in $language]", but when she switches back to German the subtitles readily explain... "[in English]". This confused the hell out of me!

dlisboa
Localization is more important than you might think.

My wife worked for a company that helped provide teaching content for schools throughout Brazil. They'd interview teachers all over the country and one of the complaints from teachers in isolated communities was that they had to use the same textbooks as other places in Brazil without any regard to their own situation.

They reported that many examples for starting math for kids featured things like "strawberries" or "apples", things the kids had never seen or maybe heard. So now they needed to abstract over what is a "fruit" and a "countable object" as well as whatever the example was trying to teach. Teachers reported less engagement and it was more work for them to adapt it to local relevance.

Try to teach kids about vegetables in the US midwest and use green beans and Bok Choy as an example, for instance. It doesn't make sense.

wil421
They don’t have green beans in the Midwest?

We bought kids toys on Amazon and the fruits were strange. Not sure if they were Asian varieties or just made up.

infecto
I understand the sentiment and agree but for me there is a line and I am not sure Inside Out meets the threshold for exposing culture. The changes are too minor to me in a children’s film that it has little impact. Broccoli to peppers is not a deep enough change. Now if the film had a Chinese new year celebration in it and they switched it entirely to a western new year celebration I would think that is a pretty drastic change that does hide cultural changes.
ktosobcy
Erm... yeah, cool and whatnot but: 1) in case of pixar those are just animations that are mostly "generic" (or in fairyland) hence adapting them to the local nuance to pass some idea makes sense 2) as a Pole that had to be basically "brainwashed" by US made movies - while being exposed to other cultures is great, being firehose-fed by "dream factory" was IMHO one of the worst thing that happened to "post-commie" countries.

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