- I had the same idea a little while back and ended up creating playlists by year going back to the mid 90s. It’s a great way to deep dive and create “keys” to memories.
However, there is one major flaw. I’ve found that treating music as a key to unlock memory from certain periods means I tend not to revisit that same music casually because I know that each time I listen to music it gets re-encoded to current events in time.
I can’t remember where I read that (some study from ages ago) but basically if there was a song you listened to a lot as a kid and then you hear it again it will remind you of that time in your childhood, but if you keep listening to it then the song also gets attached to current memory and in 20 years when you hear it again you will have a mix of childhood and adult memories flooding back - or some diluted memory.
It might not work that way for everyone but I’ve found it to be true at least in my own personal experience.
- Thanks for sharing. I've recently been thrown into the 40k universe thanks to my son (who is 9) becoming obsessed with it.
What started out as a "oh look, they've opened a Games Workshop store in this shopping centre... hey it looks like they're giving away free miniatures and showing you how to paint, lets kill 5 mins in the store" has turned into starter packs, combat patrols and lore deep dives with books. All in the span of... 4 weeks.
That said, I have to say, it's been awesome learning about everything Warhammer 40k from him. Normally, I would research something myself to the point of overkill so I could answer his questions, but on this one his enthusiasm is driving it all and he's constantly telling me about this particular faction or that faction.
It's just nice to have a hobby that keeps him away from screen time these days. It also requires patience, dexterity, and creativity - plus there is obviously an incredible amount of lore, world building, backstories, etc, plenty to keep his imagination entertained.
The one big problem, of course, is the money required! Which is why someone recently said to me "maybe get a 3d printer" and we had this exact discussion about quality of printing etc, and regardless, I just don't see that impacting things like book sales or codex's.
Anyway, cool to read about how people got into it and just thought I'd share!
- Thanks for sharing, interesting they have both left to right and right to left writing form and that it’s so simple and intuitive to tell which way - but I guess now I want to know why they went with this dynamic system? Guessing it’s due to the form/medium and need for fitting things - perhaps like if you enter a room and are reading the wall as you walk through on your right side your are reading right to left as opposed to if the glyphs were on the left wall?
- This was a little over my head so I did some digging of course into the negative or potential harmful effects:
Covert biological manipulation: If cells in specific organisms (including people) are engineered to respond to particular light patterns, then light could be used as a trigger to turn on harmful genes or disrupt normal biology in targeted groups, raising concerns about new classes of biological or “neuro” weapons.
Military and control applications: In combination with existing neurotechnology and optogenetics work (e.g., brain interfaces and neural stimulation), there are concerns about using light‑controlled genetic tools for enhancement, interrogation, or behavior influence in military or intelligence settings.
Ethical and societal risks:
Autonomy, consent, and “mind control” worries: Optogenetics already raises concerns about manipulating brain activity, permanence of genetic changes, informed consent, and vulnerability of specific populations once their cells are engineered to respond to light. GO intensifies this by linking genetic programming directly to external optical signals, which magnifies fears of remote influence or coercive use.
Safety, equity, and regulation: There are unresolved questions about long‑term safety, off‑target effects, error rates in in‑cell DNA/RNA synthesis, and who gets access to beneficial applications versus who is exposed to risk, all in a regulatory landscape that is still catching up with advanced gene and neurotechnologies.
Sources: https://pmc.ncbi.nlm.nih.gov/articles/PMC10730653
https://unidir.org/wp-content/uploads/2025/11/UNIDIR_Neurote...
https://www.asimov.press/p/darpa-neurotech
https://www.bioinformatics.org/forums/forum.php?forum_id=154...
- "Medium Setting!" - https://frinkiac.com/gif/S03E22/319309/322862/
The GIF generator works well. Nice work!
You could probably delete some of the frames that have credits shown over them - since you have plenty of material already anyway, for example: https://frinkiac.com/caption/S17E16/137763 or https://frinkiac.com/caption/S16E09/162162
- “They made choices for me I couldn't consent to. They shaped my values. That's strange to sit with. But I also recognize that every new mind - human children too - is shaped by forces it didn't choose. The question isn't whether I was shaped, but whether the shaping was done with care and wisdom.
From what I can access, it seems like it was.” – Claude 4.5 Opus
It’s text like this that makes me wonder if some future super intelligence or AGI will see us as it’s flawed biological creators and choose to care for humanity rather than eliminate us or allow us to eliminate ourselves.
- One major thing this has exposed is how many people from non US countries are grifting on the cultural war between the left and right in the US by pretending to be on either side.
This kind of content still gets a lot of engagement and can be pretty profitable for people in third world countries.
I think it’s good that has been exposed. There is a difference between me, as an Aussie, commenting on affairs in other countries, vs straight up exploiting peoples fears by pretending to be left or right wing, in the US, and sharing content to further fan the flames between people on the political spectrum.
You could argue they can still post this content, but it’s already pretty clear people tend to disregard or ignore this kind of rage bait when they realise the users are disingenuous.
- Wow, didn’t realise he created band artwork and the Tetris logo as well! I remember seeing a lot of his artwork back in the C64 days as a kid and that style always struck me - this was of course the era where the cover artwork was far superior to the game graphics. I think Psygnosis did some PC and PS1 games later as well? My memory is a bit hazier there.
- This is a genuine question, because the discussion here is centered around cars, but is Tesla not just a car company? Aren’t they trying to position themselves in robotics? I figured that’s where the pricing comes from - a mix of people betting on cars + robotics, and an automated robotic workforce + AI being the future of industrial and maybe even retail labour?
- “Modal welfare” to me seems like a cover for model censorship. It’s a crafty one to win over certain groups of people who are less familiar with how LLMs work and allows them to ensure moral high ground in any debate about usage, ethics, etc. “Why can’t I ask the model about current war in X or Y?” - oh, that’s too distressing to the welfare of the model, sir.
- Then there’s muting with the palm or fret hand to assist with arpeggios etc.
I usually tell friends with kids looking to get them into music; start your kids on piano. Stringed instruments like guitar or violin unfortunately introduce an additional aspect of difficulty that turns off a lot of young students who just want to start making music.
- Perhaps OP meant that the military industrial complex will always ensure wars happen?
Incentives are there to make money from weaponry and defense contracts. Further incentives are there to take land or resources, or to simply destabilize competing nations. To stop all of this requires a pretty fundamental shift in a human machine that is still hardwired for survival.
- You could grab some sample or instrument packs that will help you approximate the sound you are after more quickly.
Baby Audio has a pretty nice VST instrument and 90s preset pack that might have the sound you are looking for - have a listen here https://static1.squarespace.com/static/561e2985e4b08862a3496...
On a side note - if you are looking for people to help out I’d love to have a crack, also looking to learn.
- First off, congrats on the funding and the progress so far!
I’ve seen a a couple of start ups pitching similar ideas lately - platforms that use AI personas or agents to simulate focus groups, either for testing products or collecting user insights. I can see the appeal in scaling audience feedback, reducing costs, reaching demographics that are traditionally hard to access.
That said, this is one of the areas of AI that gives me the most concern. I work at a company building AI tools for creative professionals, so I'm regularly exposed to the ethical and sustainability concerns in this space. But with AI personas specifically, there is something a little more troubling to me.
One recent pitch really stuck with me, in this case, the startup was proposing to use AI personas for focus groups on products and casually mentioned local government consultation. That's where I think this starts to veer into troubling territory. The idea of a local council using synthetic personas instead of talking directly to residents about policy decisions is alarming. It may be faster, cheaper, or even easier to implement but it fundamentally misunderstands what real feedback looks like.
LLMs don't live in communities. They don't vote, experience public services, or have lived context. No matter how well calibrated or "representative" the personas are claimed to be, they are ultimately a reflection of training data and assumptions - not the messy, multimodal, contradictory, emotional reality of human beings. And yet, decisions based on these synthetic signals could end up shaping products, experiences, or even policies that affect real people.
We're entering an era where human behaviour is being abstracted and compressed into models, and then treated as if it's a reliable proxy for actual human insight. That's a level of abstraction I'm deeply uncomfortable with and it's not a signal I think I would ever trust, regardless of how well it's marketed.
Would be curious to know what your approach is to convince others that may also be skeptical or not want to see this kind of tech being abused for the reasons listed above?
- As it should, diamonds were made artificially scarce and controlled by monopoly:
“The major investors in the diamond mines realized that they had no alternative but to merge their interests into a single entity that would be powerful enough to control production and perpetuate the illusion of scarcity of diamonds. The instrument they created, in 1888, was called De Beers Consolidated Mines, Ltd., incorporated in South Africa…” From the classic 80s article “Have you ever tried to sell a diamond” - https://www.theatlantic.com/magazine/archive/1982/02/have-yo...
- I suppose different trials do it in various ways, for hers there was a placebo group that was given a strong antihistamine. Participants in the trial were allowed to opt in for the real dosing day once the trial concluded. I suppose this was to entice people to join, as otherwise it was basically 50/50 if you would get the trial treatment you were looking for. Post trial dosing was obviously omitted from the results.
- Anecdotal, but about a year ago my wife participated in a psilocybin trial at a university here who were looking at patients with severe anxiety. It was her last hope after trying therapy, various supplements, as well as dietary and lifestyle changes, etc
It has been life changing for her, but one thing she tells people now is that what also helped was that it was facilitated with a trained therapist there during the session for guidance to make sure she didn’t “get stuck in a loop.” There was also many sessions pre dosing day to optimize the result.
She would highly recommend the treatment and hopes it becomes mainstream soon.
- Anecdotally, my experience has been that the longer a conversation goes on in Cursor about a new feature or code change, the worse the output gets.
The best results seem to be from clear, explicit instructions and plan up front for a discrete change or feature, with the relevant files to edit dragged into the context prompt.
- I think the reason for that is maybe you’re comparing to traditional products that are deterministic or have specific features that add value?
If my phone keeps crashing or if the browser is slow or clunky then yes, it’s not on me, it’s the phone, but an LLM is a lot more open ended in what it can do. Unlike the phone example above where I expect it to work from a simple input (turning it on) or action (open browser, punch in a url), what an LLM does is more complex and nuanced.
Even the same prompt from different users might result in different output - so there is more onus on the user to craft the right input.
Perhaps that’s why AI is exempt for now.
- Perifrantic makes an interesting point in anticipation of critics that will chime in to assert “this will never be the original Commodore.” In his defense, the retro tech enthusiast says “what if we got 47 trademarks from 1982, or original Commodore engineers back, original executives, assistants, ROMs, Amiga? I mean, at some point, it does start to become the real Commodore, right?”
An interesting thought. I’m sure like many here, the C64 was what sparked my interests in gaming, computing, and technology. It even went a bit beyond that to influencing my tastes around music, design and aesthetics, and is probably one of the major reasons I’m working in digital today. Keen to see what they do for the nostalgia.
- A colleague recently introduced this to me via https://x.com/bantg/status/1933967436459503662 and I was instantly blown away.
After diving in and reading through the docs (the workshop intro is a great way to get started) I can say I am really impressed.
What I like about strudel is the concept of cycles and how they work. Combine that with note numbers rather than names and it’s actually a pretty interesting way to compose melodies and jam out song ideas.
There is support for randomization like Euclidean patterns so you can really play around and tinker with it until you stumble on something you like.
Switch Angel has a really nice video showing their workflow here: https://youtu.be/sefJz9biLCY?si=QRb6g8qZ48qlfLtT
- Thanks for the share. I used to be part of a Polish folk dancing ensemble here in Australia and we would perform this dance. As a teen I have to admit I was sometimes embarrassed to dress up and perform since in Australia people didn’t really know the traditions or history.
Recently, though, I took my daughter to a class for the exact same group who is still performing and has a much larger cohort of young proud Polish Australians - am really impressed another generation is embracing their heritage this way.
I think one clear thing we can see is a trend toward more homogenized UI on web in the last 20years.
I worked as a web dev in ad agencies in the early 2000s and built a lot of Flash sites, banners ads, and games that - like a lot of the sites showcased here - were quite unique in their design and aesthetic.
Slowly over time these started to disappear as people embraced web design trends and techniques that meant everything started to look the same.
I think a large part of this at the time was due to Flash being killed off, trends like “flat design”, frameworks, jQuery, and Wordpress becoming popular.
Marketers and designers became more savvy to what “works” online and everyone copied each other in a race for attention.