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> it’s just piracy in today’s drm world

...which is more important / needed than ever. I encourage every who asks to get my music from bit torrent instead of spotify.


MyOutfitIsVague
Why not something like Bandcamp, or other DRM-free purchase options?

I'm not above piracy if there's no DRM free option (or if the music is very old or the artist is long dead), but I still believe in supporting artists who actively support freedom.

jMyles OP
Yep, I put everything on bandcamp. https://justinholmes.bandcamp.com/

Even better though, is a P2P service that is censorship resistant.

But yeah I like Bandcamp plenty.

> artists who actively support freedom.

The bluegrass world is quickly becoming this.

https://pickipedia.xyz/wiki/DRM-free

MyOutfitIsVague
That sounds pretty good! I'll buy an album. I know nothing about Bluegrass, but I love that it has fostered a culture of digital freedom. It kind of makes sense I suppose, given that DRM freedom aligns with real traditional American values.
jMyles OP
Bluegrass is a highly technical, musically complex, urban form of Appalachian country music. It is distinct for sharing the rhythm among stringed instruments (stemming from the constraint that the trip down from the mountains into the cities - usually conducted by freight trains and pickup trucks - did not afford the transport of a drum kit).

At its core is a corpus of traditional songs which have been handed down across generations, especially Irish fiddle tunes and West African banjo music.

The concepts of digital freedom trace multiple clear lineages to this tradition of music. For example, John Perry Barlow, who founded The Electronic Frontier Foundation, The Freedom of The Press Foundation, and participated heavily in discussions on The WELL which laid the cryptological groundwork that eventually became blockchains, was a member of The Grateful Dead (who, while more of a rock or country band than a traditional string band, stewarded and celebrated this corpus of music across several decades) and was himself an aficionado of the history of IP-unencumbered music.

If you see the word "Traditional" on a bluegrass setlist (usually listed next to a song where an author normally goes), it effectively means "I assert that this song is not subject to intellectual property."

MyOutfitIsVague
Fascinating. Thanks for the information. I'll have to explore the Bluegrass space more. It's a genre that I have never given much thought or time to in the past; I was simply never exposed, other than the slim association with some folk punk acts.
MaxikCZ
So you create and seed your torrents with your music, and present them prominently on your site?
jMyles OP
I was doing that for a while, and running a seedbox. However, on occasions when the seedbox was the only seeder, clients were unable to begin the download, for reasons I've never figured out. If I also seeded from my desktop, then fan downloads were being fed by both the desktop and the seedbox. But without the desktop, the seedbox did nothing.

I need to revisit this in the next few weeks as I release my second record (which, if I may boast, has an incredible ensemble of most of my favorite bluegrass musicians on it; it was a really fun few days at the studio).

Currently I do pin all new content to IPFS and put the hashes in the content description, as with this video of Drowsy Maggie with David Grier: https://www.youtube.com/watch?v=yTI1HoFYbE0

Another note: our study of Drowsy Maggie was largely made possible by finding old-and-nearly-forgotten versions in the Great78 project, which of course the industry attempted to sue out of existence on an IP basis. This is another example of how IP is a conceptual threat to traditional music - we need to be able to hear the tradition in order to honor it.

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