Not that photographic art wasn’t getting made, more that the doyens of the Finer Arts would tend to dismiss work in that medium as craft, trade, or low art—that they’d dismiss the act of photographic production as “mere capture” as opposed to creative interpretation, or situate the artistic work in the darkroom afterward where people used hands and brushes and manual aesthetic judgment.
It’s been depressingly long since school, but am I wrong in vaguely remembering the controversy stretching through Art in the Age of Mechanical Reproduction and well into the Warhol era?
And I guess legitimacy doesn’t fully depend on the whims of museums and collectors, but to hear Christie’s tell it, they didn’t start treating the medium as fine art until 1972–and then, almost more as antiquities than as works of art—
In much the same way as there are tons of Polaroids that are not art and a few that unambiguously are (e.g. [0]); there’s a lot of lazy AI imagery, but there also seem to be some unambiguously artful endeavors (e.g. [1]), no?
It’s been depressingly long since school, but am I wrong in vaguely remembering the controversy stretching through Art in the Age of Mechanical Reproduction and well into the Warhol era?
https://news.harvard.edu/gazette/story/2010/10/when-photogra...
And I guess legitimacy doesn’t fully depend on the whims of museums and collectors, but to hear Christie’s tell it, they didn’t start treating the medium as fine art until 1972–and then, almost more as antiquities than as works of art—
https://www.christies.com/en/stories/how-photography-became-...
In much the same way as there are tons of Polaroids that are not art and a few that unambiguously are (e.g. [0]); there’s a lot of lazy AI imagery, but there also seem to be some unambiguously artful endeavors (e.g. [1]), no?
[0] https://stephendaitergallery.com/exhibitions/dawoud-bey-pola...
[1] https://www.clairesilver.com/