> I'm curious how this can be applied with the inevitable combinatorial exhaustion that will happen with musical aspects such as melody, chord progression, and rhythm.
https://www.vice.com/en/article/musicians-algorithmically-ge...
They did this in 2020. The article points out that "Whether this tactic actually works in court remains to be seen" and I haven't been following along with the story, so I don't know the current status.
More germane is that there will be a smoking gun for every infringement case: whether or not the model was trained on the original. There will be no pretending that the model never heard the piece it copied.
Will it mean longer and longer clips are "fair use", or will we just stop making new content because it can't avoid copying patterns of the past?